Dusk, by Robbie Arnott

Author Q&A

In this series of Q&As, the Climate Fiction Prize talks to each of the shortlisted writers about all things climate, fiction and their inspiration.

Desperate twins pursue man-eating puma in distant, lonesome highlands.

Spending time in the Tasmanian wilderness, and encountering the damages wrought on it through invasion, experiments and industry.

They came out naturally, I think. I don’t try to imbue my work with messages or meaning — I just try and pack it with passion.

The Bush, by Don Watson

The Peregrine, by J. A. Baker

I would encourage everyone to turn to the vibrancy of the natural world, and the communities they are a part of.

Stories can reorient how we view reality, which can change what we believe, what we value, and how we behave, which — given how violently powerful our species has become — can change the planet.

Go walking in a place where you can’t see buildings or roads or streetlights.

Raging agency — I love that. Can I steal it? Essentially, I think the world is just as interesting and meaningful as the people in it. I hope that comes through in the work.